![]() At the beginning of the series, he wrote: "This is the comic I've wanted to write all my life-a comic about everything: action, philosophy, paranoia, sex, magic, biography, travel, drugs, religion, UFOs. Morrison explains his creation in a number of different ways, always colorful and surprisingly consistent. Anyway, it's quite a read, and does not resemble those comic books you used to buy at the corner store for 25 cents when you were a kid. well, the list goes on.One highlight of the series is a restaging of the Marquis de Sade's "120 Days of Sodom" as "120 Days of Sod All," which includes Pederasty, Rape, Bestiality, and references to Necrophilia, Incest, Castration, hermaphrotisim. Morrison (who has moved on to do mainstream comics like the X-Men and the Justice League) drew on an extremely diverse set of sources for his epic, including the Gnostic writings of early Christianity, the drug-fueled speculations of Terence McKenna, Mayan and Aztec religions, the Roswell crash, the Holy Grail, the Cathars, legends of the Knights Templar, the rituals of Freemasonry, Maya Deren's writings on Voudoun, the mad science of Wilhelm Reich and Jack Parsons, the cool '60s spy stylings of The Prisoner, the metaphysical posturings of Aleister Crowley. If you stick with it, by the end you might find that it's less fiction than it is biography. The Apocalypse also makes an appearance.The Invisibles is also designed to change the reader, so be forewarned. Religion is deconstructed, reality is warped, and it's difficult to tell the good guys from the bad guys. There's kind of a substructure that deals with the whole "good vs. well, the story is better experienced than summarized, but it has to do with the nature of the universe and the meaning of life. Issues of The Invisibles were kept on the set of The Matrix during filming, a fact which would be apparent to anyone who's familiar with both. The comic series was published from 1994 to 2000, with collected editions coming after. The Invisibles is named for the secret society to which our heroes, such as they are, belong. ![]() Percy and Mary Shelley (author of Frankenstein). If you can stretch your brain around that concept, you would probably enjoy Grant Morrison's epic series, "The Invisibles."The Invisibles is a mind-blowing mix of drugs, occultism, UFOs, voodoo, sexual excess, Witchcraft, sadomasochism, body modification, movies, government conspiracies, Lovecraftian horror, numerology, Gnostic cosmologies, anarchy, Mad Science, time travel, superheroes, Freemasonry, the Apocalypse, plus some stuff that's just plain weird.Ĭharacters appearing in the story include:Ī heavily pierced assassin, who moonlights as a horror novelist and ontological terrorist.Ī billionaire playboy who may or may not be Bruce Wayne. What if every idea, period, you ever heard was true? No, wait, what if every crackpot idea you ever heard, conspiracy or not, was true? What if every conspiracy theory you ever heard was true? april & justina at Tony's "Going to NY Party".Go Otto Go! How to get in Area 51 revisited.Led Zeppelin's 4th Album (33 1/3) by Erik Davis.sasha, brendan, jim & I at Tony's party.Robert Sibley Volcanic Regional Preserve.Online Gamer Stabbed for Selling Cyber-Saber.With all that said though, it's very much still a good comic and an important one Morrison believes the Invisibles directly inspired the Matrix, which I can't speak to, but it certainly encapsulates a lot of that 'Gen-X' alt-scene ethos that was going around at the end of the 90s, and as such, even if it's not always entertaining it's an interesting cultural product. ![]() ![]() I think the Invisibles falls more into the British end of the spectrum and while it's not some of his weirdest stuff, it has a writing style that's a touch slower than some of his most famous works.Īlso, as someone who loves when Morrison does meta-fiction stuff (my favorite Morrison comic is Flex Mentallo), The Invisibles is a lot less clean in its meta-reality stuff than a lot of his works because it's more explicitly about magic, which is a vibe, but it muddles the storytelling at times. Rather than dividing his work as nuts and less nuts, I prefer to break them up on a sliding scale of British to American style comics.
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